During this period, my image-making process was focused on closer observation, with particular attention to the features of my forms. By identifying the forms and their natural attributes, I constructed my images layer by layer.
Through observing forms and engaging with their natural habits inside my photographs, my attempts to represent them become more intentional, which gradually inclined my works toward representation and how I perceive the objects.
In a sense, these works also evolved into a figurative study of forms from a different aspect.